Hwwara Hall of Records

40K BCE, Oldest Cave Art at the Hwarra Hall of Records

Sometimes, when I am writing, I know the reader would probably appreciate some visual aid, but I haven’t clarified everything in my mind. I use Photoshop to come up with ideas which might end up as illustrations in the book. But if they don’t, they at least assist me visualising precisely what is happening and, ideally, improve my descriptions.

Concept art for my current work in progress:

Anthropocene, a Hard SciFi, Paleo-Punk, Conspiracy Theory, Murder Mystery, Who Dunnit…

Sketch of Cave Art, thought to depict X. Rahan, H. Anunnalis, H. Neanderthalensis, H. Sapiens.


Exciting news, folks! My new book is taking shape! It should be out towards the end of this year (or possibly next depending on how distracted I am by the relentless march of craziness!)

One of the locations is a floating vacuum dirigible—SkyWhale. If you’ve read my previous books, you might recognise the concept. It was on the cover of book 3 but from the angle it’s form still fairly ambiguous.

(Cover by the amazing DoFresh)

As we spend so much time there in the new book,I decided to put some effort into designing the SkyWhale properly…

I got to thinking about the aerodynamics. I decided to make the tail like the wings of a glider (sailplane) with high wing-loading and low-drag. I added multiple sets of forward fin/flukes for maneuvering at low speeds. These flatten against the envelope when the vessel is cruising.



Assuming it’s built with super light materials and nothing inside, it almost looks plausible, right?

Original sketch:


Bitcoin’s Coming…

“The globe’s powers had been rabbits, nibbling shoots on the central reservation of a six-lane highway, aware of, but unconcerned by, the approach of a far-off beam of flickering yellow. They were prepared to make a leisurely lollop to safety if the meandering scooter—which each fully expected would eventually resolve from the glare of the approaching halo—came too close. Far too late, they had understood that the light was not the low-wattage lamp of an approaching electro-cycle, but the single remaining headlight hanging precariously from the rusty cab of an apocalypse-punk, articulated war-lorry fishtailing towards them on eighteen screaming wheels of certain death.”

This is how I described the arrival of the new paradigm in ReImagination. It’s MeshCoin—and it has layers in the Singularity’s Children Worldline—but same difference.